100 years of all kinds of Catholics -- good and bad -- going to confession in movies
Alfred Hitchcock knew a thing or two about complicated thrillers.Having a murderer confess to a priest -- who couldn't betray this trust -- was already a familiar plot twist by 1953, when Hitchcock released "I Confess." Because of the seal of confession, this noble priest couldn't even clear his own name when police suspected that he was the killer.Good prevails in the end. Shot by police, the killer makes an urgent final confession to the priest."It's natural for a Catholic filmmaker like Hitc
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